2006 MFA Fine Art Thesis Exhibition

ARTISTS + ART

Lauren Anderson
Adam Blue
Matthew Hughes Boyko
Val Britton
Michael Cappabianca
Michele Carlson
Susan Chen
Alex Clausen
Alika Cooper
Keturah Cummings
Scott de Bie
Julia DeGuzman
Scotty Wm. F. Enderle
Marcella Faustini
Ana Fernandez
Allegra H. Gibson
Alexis D. Grant
Elise Irving
Nick Karvounis
Robert Larkin
Katie Lewis
Alex Lukas
David Maisel
Carol Anne McChrystal
Linda Michel-Cassidy
Nikolai Moderbacher
Carson Murdach
Susan O'Malley
Raoul Pacheco
Berangere Parizeau
Matthew Paulson
Alexandria Pembleton
Laura Plageman
Daniel Purbrick
Marie Reich
Daniel Reneau
Mark A. Rodriguez
Jeremy Chase Sanders
Zachary Scholz
Susan L. Schultz
Pascal Shirley
Leslie Shows
Estee Stevens
Tsunghan Sun
Tessa Sutton
Weston Teruya
Ryan Thayer
Skye Thorstenson
Kirsten Tradowsky
Jamie Treacy
Jamie Vasta
Amy Walkup
Michael Wallace
Nathan Watson
Erica Lee Wheelock

David Maisel  
Unmarked Urn #1
48”x65”
C-print
2006
 
Artist Statement
What happens to our bodies when we die? And, too, what happens to our souls?

The copper canisters depicted in The Library of Dust each contain the cremated remains of a patient from a state psychiatric hospital whose body remained unclaimed by their family.

The canisters have a handmade quality; they are at turns burnished or dull; corrosion blooms wildly from the leaden seams of many of the cans. Numbers are stamped into each lid; the lowest number is 01, and the highest is 5,118.

The intensely hued colors of the blooming minerals, the etching of the surface of the copper, the denting of the metal, and in some cases, the vestiges of paper labels with the names of the dead, all combine to individuate the canisters, to imbue each with a remarkable singularity. Their strange, sublime surfaces evoke the celestial- the Northern Lights, the moons of some alien planet, or constellations in the night sky.

Surely there are physical and chemical reasons for the ways these canisters have transformed over time, but perhaps there are other interpretations as well. Matter lives on even when the body vanishes, even when it has been destroyed by an institutionalized methodology of incinerating the body to ash. Does some form of spirit live on as well? Can it be the soul that is describing itself to us on the copper surface of the body’s container?

Contact
david@davidmaisel.com

©2006 California College of the Arts. All rights reserved.