2010 MA in Visual and Critical Studies

Nensi Brailo
Crow Cianciola
Ace Lehner
Matthew Rana
Elyse Mallouk


Crow Cianciola  
Billy Budd
novel
1924 publication cover
 
Thesis Abstract
Billy Budd: Chubby Mature Gay Seeks Handsome Black Sailor

Melville’s novel, Billy Budd, a seminal text within the history of American gay culture, launched a troubling visual erasure of nonwhite people from the canon of exemplary queer bodies in popular media. The African sailor in the opening passages of Melville’s novel and the force of his removal from the rest of the story, frames the textual figuration of my analysis. Once he passes by, the handsome African sailor is also passed by. The plot unfolds on a British military ship without him—in its wake over the next sixty years, the sailor is excised from all visual iterations of Melville’s text and subsequent queer analyses.

This is the narrative path—a movement of image, text and social power—which I would like to posit as historically American. My project catalogues the proliferation of images in art, advertisements and film that can be linked to Billy Budd as raw material. I argue that the representation of Melville's work in contemporary media reflects the way we queer our submission to US citizenship and its attendant racisms, naturalizing white masculinity within self-proclaimed radical sexual subcultures.


Contact
ccianciola@cca.edu
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